Madame Perry: The Thousand has an intricate web of plots and motivations. A couple of characters we can imagine from real life folks like Johnnie Cochran or Phil Spector. Yet many are original in their personal quirks, burdens and needs. How do you draw or create these characters?
People who were familiar with the Chicago music scene in the 90s will recognize that the character of Burning Patrick is based loosely on a real person named Wesley Willis. Like Patrick, Wesley was homeless, selling his sketches of El Tracks on the street until he was basically adopted by a rock band, who helped shelter him. They also formed a band around him and fulfilled Wesley's dream of being a rock star.
Ann Guilfoile: How come there are so many characters unlike your sister in your books?
KG: Are you kidding? My books are filled with liars and sociopaths.
MP: In your novel Cast Of Shadows, one character was driven by a religious group. This is a kind of group and person we see occasionally see in the news. However, in The Thousand there is a group of people with a very discreet and cult-like devotion to philosopher mathematician Pythgoras. Where did the idea for this come about?
KG: I was working on the first draft of the novel, and it had many of the same elements of the final one--a young woman with special mental gifts, and the intersection of art and science and math and religion--but something about it wasn't quite working. One night I had dinner with a friend named Tom Morris, who had been a philosophy professor of mine in college. I was spelling out the trouble I was having and he put down his fork and said, "You need to go home and read everything you can find about Pythagoras." Once I did that, the story really began to fall together.
AG: On a scale of 9 to 10 how would you rate the influence of your sister in your life?
KG: My sister took me to see Star Wars when I was nine years old. Without a doubt one of the most influential experiences of my life. She also taught me how to ride a bike and introduced me to the music of Boz Scaggs.
MP: Before reading Cast Of Shadows I had read some of your very humorous pieces in McSweeney’s and in a book of essays titled 1001 Damnations. Quite a contrast to your books, which makes me wonder if you have any screwball comedy screenplays incubating in your office?
AG: If it weren't for your sister, would you be living in a homeless shelter or in the street?
KG: I've always seen myself as more of an "under the bridge" kind of guy.
MP: When you think of your books being made into films, do you have specific actors in mind that you feel would personify the characters as you see them?
KG: That's always a difficult question for me. The reader spends a few days or weeks with the characters, but the writer spends years with them. It's hard to just imagine some actor becoming them. Film is a very different art from literature. I'm not sure what role the author should play in shaping the film (unless he's adapting it himself). Tony Phelan and Joan Rater, two writers/producers from Grey's Anatomy, are working on the Cast of Shadows screenplay. I told them I was around if they have any questions, but I'm more interested in seeing their interpretation of the novel than I am in influencing it.
AG: Where is the $50 you owe your sister?
KG: I paid her back in wit.
MP: How did it feel to have Michiko Kakutani of the New York Times give such a powerful review praising The Thousand?
KG: Ms. Kakutani has been very good to me. She had many kind things to say about Cast of Shadows, as well. Obviously not everyone is going to perceive your book in exactly the same way that you see it, but it's gratifying when someone does, and when that person is the lead book reviewer at the New York Times, you consider yourself especially lucky. It cushions the blow, I suppose, when the next guy doesn't like it as much.